Dowd (University of Alabama)įunding provided by The Philip V. Moderator: Ayanna Thompson (Arizona State University) The principal publishers were Edward Blount (1565-1632), a London bookseller and. The book contains the complete text of 36 of Shakespeare's plays. It was put together after his death in 1616 by two fellow actors, John Heminge and Henry Condell, and was published in 1623. | Dialogue 4-Future Intersections of the Archives and the Stage, Part 2 Printed in the large 'folio' size, the First Folio is the first collected edition of the plays of William Shakespeare. Ayanna Thompson (Arizona State University)ġ p.m.Notre Dame marks the official first stop of the First Folio national tour and serves as the sole Indiana venue for the exhibition. Nataki Garrett (Oregon Shakespeare Festival) The Book that Gave us Shakespeare is a 50-state tour and exhibit of Shakespeare’s 1623 First Folio, the first published collection of 36 of his plays and one of the world’s most treasured books.Moderator: Michael Witmore (Folger Shakespeare Library) Michael Witmore (Folger Shakespeare Library)ġ0 a.m.–noon | Dialogue 3-Future Intersections of the Archives and the Stage, Part 1 The 1623 First Folio, assembled seven years after William Shakespeares death, includes 36 of his plays, of which 18 never had been published.The tragedie of Hamlet, Prince of Denmarke. | Dialogue 2-Shakespeare in the Archives: 2050 For more First Folio facts, visit the University of Arizonas Folger Shakespeare Library website. Erica Whyman (Royal Shakespeare Company)ġ p.m.Barry Edelstein (The Old Globe, San Diego).Carl Cofield (Classical Theatre of Harlem).Natalia Molina (The Huntington) and Ayanna Thompson (Arizona State University)ġ0 a.m.–noon | Dialogue 1-Shakespeare in Performance: 2050 This event will also available via Zoom at no charge: In-person registration includes admission to The Huntington. What role will Shakespeare play in the future? By 2050, what should Shakespearean theatrical productions attempt to provide or achieve? How should Shakespearean archives change by 2050? Can we use Shakespeare’s work to create and foster a culture of radical inclusion? When it was published in 1968, The Norton Facsimile set a new standard for scholarly accuracy. When the COVID-19 pandemic shuttered arts and research institutions, many used the closures as an opportunity to (re)think Shakespeare’s position in their organizations and imagine new visions for the playwright in the world at large.
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